Spotlight On: Patricia Hampl – “Writing My Way into Music”
An evening of memoir and music comes together in this concert curated and narrated by Patricia Hampl.
Founded in 1986, Summit offers great pride to the Twin Cities. Originally located on University Avenue, their beers quickly became local favorites, and the company began to grow rapidly. By 1998 the company’s production had exceeded the capacity of the original University Avenue brewery, and a new building, designed by architect Peter O’Brien, was built on the west end of St. Paul, overlooking the Mississippi River. Mix concerts will take place in Summit’s Ratskeller (German for “council room”). All ages are welcome.
An evening of memoir and music comes together in this concert curated and narrated by Patricia Hampl.
SOLD OUT -
The Harlem Quartet brings a program featuring its distinct mixture of classical and jazz influenced music. Formed in 2006 by the Sphinx Organization, the quartet now performs around the world including a current three-year residency at London’s Royal College of Music. The quartet has been praised for its “panache” by The New York Times and hailed in the Cincinnati Enquirer for “bringing a new attitude to classical music, one that is fresh, bracing and intelligent.” Schubert Club Mix audiences love to hear "new attitude!" By popular demand, we’ll be returning to Summit Beer Hall for this exciting performance. Come early for free brewery tours, food trucks, and, of course, beer.
Join us for this final concert of the Mix season in a brand new venue for this series, Summit Brewery, for a lively evening with New York ensemble Third Sound in their Twin Cities debut performance. Formed in 2015 by composer Patrick Castillo, the ensemble is comprised of Sooyun Kim, flute; Romie de Guise-Langlois, clarinet; Karen Kim, violin; Michael Nicolas, cello; Orion Weiss, piano; and Patrick Castillo, composer. They will bring a mixed program of music including works by Brahms, Schoenberg, and a midwest premiere by Patrick Castillo. In forming the ensemble with his wife Karen Kim, Patrick remarks, “We wanted to assemble a group of musicians whom we could trust with the broad sweep of chamber repertoire, to take everything from Mozart to Schoenberg, to stuff with the ink still wet equally seriously, with total curiosity, and absolutely kill it, no matter what the program.”