Anne Sofie von Otter

Mezzo-Soprano

Schubert Club Performances:

  • May 3, 1998
  • November 1, 2022
  • November 3, 2022
Anne Sofie von Otter Wikipedia Page

From the Schubert Club Archive:

Artist lineup for the 1997-98 season of the International Artist Series

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Mailer sent to International Artist Series subscribers for the 1997-98 season

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Reminder postcard sent to subscribers in the spring of 1998

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Program from von Otter’s Schubert Club debut performance on May 3, 1998

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Facebook banner advertisement for von Otter’s return to the IAS series in November of 2022

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von Otter during her November 2022 performance with Australian keyboardist Kirstian Bezuidenhout, who played on a R.J. Regier replica of an 1824 pianoforte by Conrad Graf

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Patron reading the program at von Otter’s 2022 performance

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Lifespan

Born May 9, 1955

Schubert Club Performances

MAY 3, 1998
ORDWAY MUSIC THEATER, ST. PAUL

Program:

FRANZ SCHUBERT
Im Frühling, D. 882
Am See, D. 746
Abendstern, D. 806
Der Schmetterling, D. 633
Der Musensohn, D. 764

WILHELM PETERSON-BERGER
Jungfrun under lind
Längtan heter min arvede

JEAN SIBELIUS
Var det en dröm?
Den Judiska flickans sång
Hjärtas morgon
Narciss
Till kvællen

GUSTAV MAHLER
Lieder eines Fahrenden Gesellen

GEORGES BIZET
Guitare
Berceuse
La Chanson du fou
Le Matin, from L’Arlésienne
La Chanson de la rose

NOVEMBER 1 & 3, 2022
ORDWAY CONCERT HALL, ST. PAUL
with Kristian Bezuidenhout, fortepiano

Program:

FRANZ SCHUBERT (1797–1828)
The Recluse, D. 800
Love has lied, D. 751
Dance of the Spirits, D. 116
Death and the Maiden, D. 531

WOLFGANG AMADEUS MOZART
Rondo in A minor, K. 511

ADOLF FREDERIK LINDBLAD
The Evening
The night violet
Believe me, yes, yes!
Lullaby
The Honeymoon

FRANZ SCHUBERT
Songs from Wilhelm Meister, D. 877
Only one who knows longing
Bid me not speak
Let me appear like this
Moment musicale in A-flat Major, D. 780, No. 2
Romance from Rosamunde, D. 797: “The full moon shines on mountaintops”
To the moon, D. 193
Impromptu in G-flat Major, D. 899, No. 3
Nocturne, D. 672
Pigeon messages, from Schwanengesang, D. 957, No. 14

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