Courtroom Concert Program Details

December 10, 2015, Noon
Courtroom 317, Landmark Center

A Baroque Christmas
Flying Forms

Marc Levine, baroque violin; Tami Morse, harpsichord; Carrie Henneman-Shaw, soprano; John West, recorder; Phillip Rukavina, lute; Donald Livingston, baroque harp

Selections from Noels en Trio—Michel-Richard de Lalande (1657–1726)
Two Noels—Nicolas-Antoine Lebegue (1631–1702)
    Les Bourgeoises de Chartres
    Ou s’en vont ces gays Bergers
Greensleeves to a Ground—Anonymous, 17th-century
Lulla Lullaby—William Byrd (1540–1623)
from The Messiah—G.F. Handel (1685–1759)
    Rejoice Greatly, O Daughter of Zion
Cantata Pastorale—Alessandro Scarlatti (1660–1725)
Traditional Carols
    Coventry Carol
    Bring a Torch
    The Holly and the Ivy
    Lo, How a Rose E’er Blooming
Selections from The Dancing Master by John Playford—Anonymous, 17-century
    Christmas Cheer
    Drive the Cold Winter Away
    In the Fields of Frost and Snow
    Cold and Raw/Stingo

Levine_Morse_02SFlying Forms is a baroque chamber music ensemble that is quickly establishing a presence in America’s early music scene. Formed out of a passion for performing early chamber music Flying Forms collaborates with prominent musicians, musicologists and baroque dancers in a wide variety of programs from traditional to experimental. Recent performances have included concerts at the Metropolitan Museum of Art, Yale University, Symphony Space, (le) Poisson Rouge, and Stony Brook University where the group presented a concert of seven new works commissioned for period instruments. Also of note is Flying Forms’ second appearance at the Boston Early Music Festival in June of 2009 where the group produced and performed, as part of a New York/Boston tour, a fully staged and critically acclaimed production of Henry Purcell’s Dido and Aeneas. In Saint Paul, Minnesota, where the group is based, Flying Forms has performed and taught extensively in local schools, universities, and concert venues. This includes the new space, The Baroque Room, located in downtown Saint Paul, which the group created in 2011 and currently manages. Hailed by harpsichordist Arthur Haas as “the bright future of early music,” Flying Forms is committed to being a presence that transforms communities and inspires expression through excellence in performance, innovative education and creative collaboration.

Concert Info

October through April
Thursdays from 12pm – 1pm
Courtroom 317, Landmark Center

FREE ADMISSION

Hosted by Schubert Club
Composer-in-Residence, Abbie Betinis.

View the Frequently Asked Questions about the Courtroom Concerts.

Seating is limited and first come first served. Doors open at 11:30. Please call if you are attending as a group of 10 or more (651.292.3267).

Schedule & Programs Subject to Change