Stephen Prutsman has been described as one of the most innovative musicians of his time. Moving easily from classical to jazz to world music styles as a pianist, composer and conductor, Prutsman continues to explore and seek common ground and relationships in the music of all cultures and languages.

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Stephen Prutsman

From 2004-2007 Stephen was Artistic Partner with the St. Paul Chamber Orchestra, where he conducted concertos from the keyboard, performed in chamber ensembles, conducted works of living composers, developed and arranged collaborations for their Engine 408 series of contemporary and world music, and wrote several new works for the orchestra. From 2009 – 2012 he was the Artistic Director of the Cartagena International Festival of Music, South America’s largest festival of its kind, programming and curating concerts with themes ranging from Mozart celebrations, to eclectic evenings of folk and popular music of the Americas, to hybrid programs fusing art and dance music of multiple musical dimensions.

In the early 90′s he was a medal winner at the Tchaikovsky and Queen Elisabeth Piano Competitions, and received the Avery Fisher Career Grant.  Since then Stephen has performed the classical concerto repertoire as soloist with many of the world’s leading orchestras and his classical discography includes acclaimed recordings of the Barber and McDowell concerti with the Royal Scottish National Orchestra and National Symphony Orchestra of Ireland.

Born in Los Angeles, Stephen first began playing the piano by ear at age 3, before moving on to more formal music studies. In his teens and early 20s he was the keyboard player for several art rock groups including Cerberus and Vysion.  He was also during those years a solo jazz pianist playing in many southern California clubs and lounges and was the music arranger for a nationally syndicated televangelist program.  A former student of Aube Tzerko, Leon Fleisher, and Jack Wilson Stephen studied at the University of California at Los Angeles and the Peabody Conservatory of Music.

As a composer, Stephen’s long collaboration with Grammy Award winning Kronos Quartet has resulted in over 40 arrangements and compositions for them. Other leading artists and ensembles who have performed Stephen’s compositions and arrangements include Leon Fleisher, Dawn Upshaw, the St. Lawrence String Quartet, Yo-Yo Ma, Spoleto USA, and the Silk Road Project. In 2010, his song cycle “Piano Lessons” was premiered by Ms. Upshaw and Emanuel Ax at Carnegie Hall, the Concertgebouw, Disney Hall and the Barbican Centre.  As a pianist or arranger outside of the classical music world he has collaborated with such diverse personalities as Tom Waits, Rokia Traore, Joshua Redman, Jon Anderson of “YES”, Sigur Rós and Asha Bhosle.

In the past, his dedication to the creation of new musical environments led him to create music festivals in such far-flung places as the island of Guam and the border town of El Paso, Texas. Passionate about the value of music for all, Stephen is actively promoting music and arts education wherever he visits.  He is involved in several projects whose missions are to create enjoyable artistic or recreational environments for children on the autistic spectrum and their families.

Stephen lives in San Francisco.

Date

Friday, April 24, 2015 at 7:30 pm

Venue

Bedlam Lowertown
213 4th St E
St Paul, MN 55101
Google Maps 

Food orders will be taken until 7pm. Bar will be open before, during intermission, and after the concert.

Program

J.S. Bach – Prelude and Fugue in C-sharp minor, from The Well Tempered Clavier, Book II
Jean-Philippe RameauLa boiteuse (The Lame Girl)
J.S. Bach – Prelude and Fugue in G-sharp minor, from The Well Tempered Clavier, Book II
Ludwig van Beethoven – “Adagio sostenuto” from Sonata o. 14 in C-sharp minor, Op. 27, No, 2, “Moonlight”
J.S. Bach – Prelude and Fugue in A major, from The Well Tempered Clavier, Book II
Richard Wagner – Isoldes Liebestod aus Tristan und Isolde (arr. Liszt)
J.S. Bach – Prelude and Fugue in B minor, from The Well Tempered Clavier, Book II
Claude Debussy – “Ondine” from Preludes, Book II
J.S. Bach – “Gavotte I and II” from English Suite No. 6 in D minor, BWV 811
Arnold Schoenberg – “Musette” from Suite, Op. 25
J.S. Bach – Prelude and Fugue in C major, from The Well Tempered Clavier, Book II

INTERMISSION

J.S. Bach – Prelude and Fugue in D minor, from The Well Tempered Clavier, Book II
Charlie ParkerOrnithology (arr. Prutsman)
J.S. Bach – Prelude and Fugue in G major, from The Well Tempered Clavier, Book II
Purandara DasaGovinda (arr. Prutsman)
J.S. Bach – Prelude and Fugue in F major, from The Well Tempered Clavier, Book II
Uzbek trad. – Galdir (arr. Prutsman)
J.S. Bach – Prelude and Fugue in F minor, from The Well Tempered Clavier, Book II
Walter Hawkins – Goin’ Up Yonder (arr. Prutsman)
J.S. Bach – Prelude and Fugue in C-sharp major, from The Well Tempered Clavier, Book II
Rwandan trad.Amaliza (arr. Prutsman)
J.S. Bach
– Prelude and Fugue in E major, from The Well Tempered Clavier, Book II

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...the musical connections Mr. Prutsman made were so intriguing, and his playing so earnest and sensitive, that you never doubted the integrity of this musical adventure.

The New York Times